DAVID WOJNAROWICZ (1954–1992)

b. 1954, Red Bank, NJ

d. 1992, New York, NY

SOLO EXHIBITIONS

2022     Dear Jean Pierre: The David Wojnarowicz Correspondence with Jean Pierre Delage, 1979-1982, P·P·O·W, New York, NY

2020     I is Someone Else, Morán Morán, Los Angeles, CA

David Wojnarowicz, Photography & Film, Morris and Helen Belkin Art Gallery, Vancouver, BC

2019     History Keeps Me Awake at Night, Museum Reina Sofia, Madrid

David Wojnarowicz, Photography & Film, Kunst-Werke Institute for Contemporary Art, Berlin

2018     History Keeps Me Awake at Night, The Whitney Museum of American Art, New York, NY

Soon All This Will be Picturesque Ruins: The Installations of David Wojnarowicz, P·P·O·W, New York, NY

David Wojnarowicz: Video and Photography, KW Institute for Contemporary Art, Berlin, Germany.

David Wojnarowicz: Flesh of My Flesh, Iceberg Projects, Chicago, IL

2016     Raging Through: The Art of David Wojnarowicz, Zimmerli Art Museum, Rutgers University, New Brunswick, NJ

2011     Spirituality, P·P·O·W, New York, NY

2009     David Wojnarowicz, Supportico Lopez, Berlin, Germany

2006     Rimbaud in New York, CABINET, London, England

David Wojnarowicz, Between Bridges, London, England

2004     Out of Silence: Artworks with Original Text by David Wojnarowicz, P·P·O·W, New York, NY

David Wojnarowicz: Rimbaud in New York, Roth Horowitz Gallery, New York, NY

            Close Up sur David Wojnarowicz, Forum des Halles Espace Rencontres, Paris, France

2001     Featured Works VI: David Wojnarowicz: The Elements, Fire and Water, Earth and Wind, Krannert Art Museum, University of Illinois, Urbana-Champaign, IL

1999     Fever: The Art of David Wojnarowicz, New Museum, New York, NY

David Wojnarowicz: The Boys Go Off to War, Gracie Mansion, New York, NY

David Wojnarowicz: Iconographer, Adam Baumgold Fine Art, New York, NY

Some Sort of Grace: A Relationship, P·P·O·W, New York, NY

Reality and Realism: The Vision of David Wojnarowicz, Fales Library, New York University, New York, NY

1996     My Brain is Driving Me Crazy: Photographies, American Center, Paris, France

David Wojnarowicz, Gallery 44 Center for Contemporary Photography, Toronto, ON, Canada

1994     David Wojnarowicz, Hal Bromm Gallery, New York, NY

Brushfires in the Social Landscape, P·P·O·W, New York, NY

1993     7 Miles a Second: A Collaborative Comic Book by David Wojnarowicz and James Romberger, P·P·O·W, New York, NY

1992     David Wojnarowicz: Tongues of Flame, curated by Barry Blinderman, Temple Gallery and Tyler Gallery, Tyler School of Art, Philadelphia, PA

1991     In the Garden, Intermedia Arts, Minneapolis, MN    

1990     In the Garden, P·P·O·W, New York, NY

            David Wojnarowicz: Tongues of Flame, curated by Barry Blinderman, University Galleries, Illinois State University, Normal, IL; Santa Monica Museum of Art, Santa Monica, CA; Exit Art, New York, NY, Dorothy Goldeen Gallery, Santa Monica, CA

1989     In the Shadow of Forward Motion, collaboration with Ben Neill, P·P·O·W, New York, NY; The Kitchen, New York, NY

            ITSOFOMO, 7^th Annual Bang on a Can Festival, The Kitchen, New York, NY

1988     David Wojnarowicz, Galeria Buades, Madrid, Spain

1987     Mexican Diaries, Ground Zero Gallery, New York, NY

            The Four Elements, Gracie Mansion, New York, NY

1986     Cartier Foundation, Paris, France

            David Wojnarowicz, NY, Anna Friebe Galerie, Cologne, Germany

            An Exploration of the History of Collisions in Reverse, Gracie Mansion, New York, NY

1985     David Wojnarowicz: Painting and Sculpture, Institute of Contemporary Art, Philadelphia, PA

            Messages to the Public: David Wojnarowicz, organized by the Public Art Fund, Times Square Spectacolor

            Board, New York, NY

            You Killed Me First Installation #8, collaboration with Richard Kern, Ground Zero, New York, NY

1984     David Wojnarowicz: Pinturas y esculturas, Centro de Arte y Comunicacion de Arte, Buenos Aires, Argentina

            David Wojnarowicz, Civilian Warfare, New York, NY

            David Wojnarowicz, Anna Friebe Galerie, Cologne, Germany

            David Wojnarowicz: Installation Room, Gracie Mansion, New York, NY

1983     David Wojnarowicz, Arts and Commerce Foundation, New York, NY

            David Wojnarowicz, Hal Bromm Gallery, New York, NY

            David Wojnarowicz + Collaborations with Kiki Smith, Civilian Warfare, New York, NY

            Exhibition in a Maze, Public Illumination Gallery, New York, NY

            Alexander Milliken Gallery, New York, NY

1982     Public Illumination Gallery, New York, NY

            David Wojnarowicz, Alexander Milliken Gallery, New York, NY

            411, Public Illumination Gallery, New York, NY

GROUP EXHIBITIONS

2022     Masked Vigilantes on Silent Motorbikes, Poster House, New York, NY

            ARS22, Museum of Contemporary Art Kiasma, Helsinki, Finland

            Somewhere Downtown, UCCA, Beijing, China

            Every Moment Counts—AIDS and its Feelings, Henie Onstad Kunstsenter, Sandvika, Norway

2021     Any distance between us, RISD Museum, Providence, RI

            Entrainment, Someday Gallery, New York, NY

            Invisible Sun, The Broad, Los Angeles, CA

            Tidal Motion, P·P·O·W and Joe Sheftel, Provincetown, MA

            Horses?, Chart, New York, NY

            A Fire in My Belly, Julia Stoschek Collection, Berlin, Germany

2020     Intimate Companions, Mary Heaton Vorse House, Provincetown, MA

            Smells Like Teen Spirit, New Galerie, Paris, France

            Hell is a Place on Earth. Heaven is a Place in Your Head., P·P·O·W, New York, NY

            Mapping the Collection, Museum Ludwig, Cologne, Germany

            New Masculinities: through Photography and Film from the 1960s to Now, Barbican Centre, London, United Kingdom

            School Photos and Their Afterlives, Hood Museum of Art, Dartmouth College, Hanover, NH

2019     Punk Lust: Raw Provocation 1974-1983, Curated by Carlo McCormick, Musuem of Sex, New York, NY

            Sex Series, Curated by Sandra Moss, Institute Valencia d’Art Modern, Valencia, Spain

            Modification, Friedrich Petzel, New York, NY

            Art After Stonewall, 1969-1989, Grey Art Gallery and Leslie-Lohman Museum of Gay and Lesbian Art, New York, NY; The Patricia & Philip Frost Art Museum, Mami, FL; Columbus Museum of Art, Columbus, OH

            I, I, I, I, I, I, I, Kathy Acker, Institute of Contemporary Art, London, United Kingdom

            Andachtsbilder, Curated by Karel Schampers, Friederich Petzel

            Honoring Stonewall, Hal Bromm, New York, NY

            United by AIDS- An Exhibition about Loss, Remembrance, Activism, and Art in Response to HIV/AIDS, Migros Museum fur Gegenwartskunst, Zurich, CH

            On Our Backs: The Revolutionary Art of Queer Sex Work, Leslie-Lohman Museum of Gay and Lesbian Art

            LGBTQ+, Denison University, Granville, OH

            An unbound knot in the wind, Berrie Center for Performing and Visual Arts at Rampo College, Mahwah, NJ

            States of Health: Visualizing Illness and Healing, Princeton University Museum of Art, Princeton, NJ

            50^th Anniversary of Stonewall, Northern Southern, Austin, TX

            School Photos and Their Afterlives, Hood Museum of Art, Dartmouth College, Hannover, NH

            New Masculinities: Through Photography and Film from the 1960s to Now, Barbican Center, London, UK; Martin Gropius Bau, Berlin, GE

            I Wake Up Every day in this Killing Machine Called America, David Wojnarowicz and Marion Scemama, New Gallerie, Paris, FR

2018     DESDE New York: Luis Frangella and David Wojnarowicz, Hal Bromm Gallery, New York, NY

Peter Hujar & David Wojnarowicz, Sala Fundación Loewe, Madrid, Spain

Brand New: Art and Commodities in the 1980s, Hirshhorn Museum and Sculpture Garden, Washington D.C.

2017     The American Dream: pop to the present, The British Museum, London, UK, curated by Stephen Coppel

Four Elements, Porto Municipal Gallery, Portugal, curated by Pedro Faro

Hold That Thought, Edward Thorp Gallery, New York, NY

The Public Body, Artspace Australia, Australia, curated by Talia Linz

The Most Beuatiful Part, The Museo de Arte Moderno, Mexico City, Mexico

Jardin Infini, Centre Pompidou-Metz, Metz, France

One day this kid will get larger, DePaul Art Museum, Chicago, IL

New York, Just Like I Pictured It, Team Gallery, Los Angeles, CA

Person of the Crowd: The Contemporary Art of Flanerie, Barnes Foundation, Philadelphia, PA

Beyond the Pleasure Principle: Affective Operations, Zacheta National Gallery of Art, Warsaw

AIDS at Home and Everyday Activism, Museum of the City of New York, New York, NY

Visual Notes for an Upside-Down World, curated by Jack McGrath, P·P·O·W, New York, NY

The Public Body, Artspace Australia, Sydney

Feedback, curated by Leo Fitzpatrick, Marlborough Contemporary, New York, NY

2016     Creature, The Broad Museum, Los Angeles, CA

Seeing | Saying: Images and Words, Davidson College Art Gallery, Davidson, NC

Something Possible Everywhere: Pier 34, NYC 1983-84, 205 Hudson Gallery, New York, NY

open spaces |secret places, BOZAR, Brussels, Belgium

Art AIDS America, Zuckerman Museum of Art, Atlanta, GA; Bronx Museum of Art, Bronx, NY; Alphawood Gallery, Chicago, IL

In the Power of Your Care, Shelley & Donald Rubin Foundation, New York, NY

The Nest, an exhibition of art in nature, Katonah Museum of Art, Katonah, NY

Hard Love, curated by Barry Blinderman, Martos Gallery, New York, NY

Performing for the Camera, Tate Modern, London, England

2015     afterlife, curated by Julie Ault, Galerie Buchholz, New York, NY

your smarter than me. i don’t care., Williams College Museum of Art, Williamstown, MA

positive/negative: HIV/AIDS, Fales Library, New York, University, New York, NY

Archive Bound, Center for Book Arts, New York, NY

Philodendron: From Pan-Latin Exotic to American Modern, Wolfsonian-Florida International University Museum, Miami Beach, FL

Party Out of Bounds: Nightlife as Activism since 1980, organized by Visual AIDS, La MaMa Galleria, New York, NY

Take One: Contemporary Photographs, Philadelphia Museum of Art, Philadelphia, PA

David Wojnarowicz and Robert Blanchon, Grazer Kunstverein, Graz, Austria

Debris, James Fuentes, New York, NY
America is Hard to See, Whitney Museum of American Art, New York, NY

A Memoir of Disintegration with Nan Goldin, Soundwalk Collective, CMT Festival, Berlin, Germany

Irreverent: A Celebration of Censorship, Leslie-Lohman Museum of Gay and Lesbian Art, New York, NY

Slip of the Tongue, Punta della Dogana, Palazzo Grassi, Venice, Italy

Art AIDS America, ONE Archives Gallery & Museum, University of Southern California, West Hollywood, CA; Tacoma Art Museum, Tacoma, WA

2014     Go Stand Next to the Mountain, Hales Gallery, London, England

Amerika, David Castillo Gallery, Miami Beach, FL 

Pictures, Before and After – An Exhibition for Douglas Crimp, Galerie Buchholz, Berlin, Germany

Legacy: The Emily Fisher Landau Collection, San Jose Museum of Art, San Jose, CA 

Gwangju Biennale: Burning Down the House, Gwangju, Korea

Loisaida: New York's Lower East Side in the '80s, Addison Gallery of American Art, Phillips Academy, Andover, MA
DIRGE: Reflections on [Life and] Death, Museum of Contemporary Art, Cleveland, OH

ICA@50: Pleasing Artists and Publics Since 1963, Institute of Contemporary Art, Philadelphia, PA

Take It or Leave It: Institution, Image, Ideology, Hammer Museum, University of California, Los Angeles,

CA

2013     Step Right In, University at Austin Visual Arts Center, Austin, TX

Forming the Loss in Darkness, Praz-Delavallade, Paris, France

Dark Paradise, Galeria Nara Roesler, São Paulo, Brazil

Truck Baby, Rachel Uffner Gallery, New York, NY

I, You, We, Whitney Museum of American Art, New York, NY

Art/Activism, Clifford Chance, New York, NY

MICHAEL BEVILACQUA Radio Amnesia: A Survey of Works on Paper, 1997-2013, Gerrig and Lopez Gallery, New York, NY

Secrets, Loss, Memory, and Courage: Works by Gay Male Artists, Addison Gallery of American Art, Phillips Academy, Andover, MA
1980’s, Hal Bromm, New York, NY

2012     Battleground States, Utah Museum of Contemporary Art, Salt Lake City, UT

The Piers: Art and Sex along the New York Waterfront, Leslie-Lohman Museum of Gay and Lesbian Art, New York, NY

Detournement: Signs of the Times, Jonathan Levine Gallery, New York, NY

Open Spaces, Secret Places, Museum der Moderne, Salzburg, Austria

We the People, Robert Rauschenberg Foundation, New York, NY

Crossing Houston, Smart Clothes Gallery, New York NY

B-OUT, Andrew Edlin Gallery, New York, NY

Malmo Art Academy, Malmo, Sweden

Printed Works – David Wojnarowicz, Printed Matter, New York, NY

Oporto, Lisbon, Portugal

You Killed Me First: The Cinema of Transgression, KW Institute for Contemporary Art, Berlin, Germany

Canceled: Alternative Manifestations and Productive Failures, Center for the Book Arts, New York NY      

2011     Mixed Messages: A(I)DS, Art + Words, organized by Visual AIDS, La MaMa Galleria, New York, NY

Legacy: The Emily Fisher Landau Collection, Whitney Museum of American Art, New York, NY; San Jose Museum of Art, San Jose, CA

Circa 1986, Hudson Valley Center for Contemporary Art, Peekskill, NY

Art, Access and Decay: NY 1975-1985, Subliminal Projects Gallery, Los Angeles, CA

Unsettled: Photography and Politics in Contemporary Art, Philadelphia Museum of Art, Philadelphia, PA

Vision is Elastic. Thought is Elastic. Murray Guy, New York, NY

2010     Substitute Teacher, Atlanta Contemporary Art Center, Atlanta, GA

Living in Evolution, Busan Museum of Modern Art, Busan, Korea

Love’s Body 2, Sexuality in the Age of AIDS, Tokyo Metropolitan Museum of Photography, Tokyo, Japan

I Am a Cliché: Echoes of the Punk Aesthetic, Les Rencontres Internationales de la Photographie, Arles, France

Mixed Use, Manhattan: Photography and Related Practices, 1970s to the Present, Museo Nacional Centro de Arte, Reina Sofia, Madrid, Spain

Hide/Seek: Difference and Desire in American Portraiture, National Portrait Gallery, Smithsonian Institution, Washington D.C.

Downtown Pix: Mining the Fales Archives 1961-1991, Grey Art Gallery, New York University, New York, NY

Decadence Now! Visions of Excess, Galerie Rudolfinum, Prague, Czech Republic

RIMBAUDMANIA: The Eternity of an Icon, Galerie des Bibliothèques, Paris, France

2009     Everywhere: Sexual Diversity Policies in Art, Centro Galego de Arte Contemporanea, Santiago de Compostela, Spain

A Few Frames: Photography and the Contact Sheet, Whitney Museum of American Art, New York, NY

2008     Self Portraits 1966-2008, James Fuentes, New York, NY

Street Art, Street Life: From the 1950s to Now, Bronx Museum of the Arts, Bronx, NY

Make Art/Stop AIDS, Fowler Museum, University of California, Los Angeles, CA

Person of the Crowd: The Contemporary Art of Flanerie, Neuberger Museum of Art, Purchase, NY

2007     30, Hal Bromm, New York, NY

Legends Altered: Maps as Method and Medium, Carrie Secrist Gallery, Chicago IL.

Le Regard bleu d’Arthur Rimbaud, Musee Arthur Rimbaud, Charleville-Mezieres, France

The Price of Nothing: Luxury after “The Real Estate Show”, EFA Gallery, New York, NY

Into Me/Out of Me, Museo d’Arte Contemporanea, Rome, Italy

NeoIntergrity, Derek Eller Gallery, New York, NY

Panic Attack! Art in the Punk Years, Barbican Art Gallery, London, England

2006     Altered, Stitched, and Gathered, P.S. 1 Contemporary Art Center, Long Island City, NY

Big City Fall, P·P·O·W, New York, NY

Rings of Saturn, Tate Modern, London, England

Into Me/Out of Me, P.S. 1 Contemporary Art Center, Long Island City, NY; KunstWerke Institute for Contemporary Art, Berlin, Germany

Full House: Views of Whitney’s Collection at Seventy-Five, Whitney Museum of American Art, New York, NY

Down By Law, Wrong Gallery Project, Whitney Biennial: Day for Night, Whitney Museum of American Art, New York, NY

Black and White, Hal Bromm, New York, NY

The Gay Science: Moving Pictures and Living Money, Cabinet, London, England

The Eighth Square: Gender, Life, and Desire in Art since 1960, curated by Frank Wagner and Kasper Köenig, Museum Ludwig, Cologne, Germany

The Downtown Show: The New York Art Scene, 1974-1984, Grey Art Gallery and Fales Library, New York University, New York, NY

New York, New York: Fifty Years of Art, Architecture, Photography, Film and Video, curated by Germano Celant and Lisa Dennison, Grimaldi Forum, Monaco

Gender, Life, and Desire in the Visual Arts since 1960: A Queer Show, curated by Frank Wagner and Kasper Köenig Museum Ludwig, Cologne, Germany

2005     Looking at Words: The Formal Use of Text in Modern and Contemporary Works on Paper, Andrea

Rosen Gallery, New York, NY

Vintage East Village, Hal Bromm, New York, NY

Take Two: Worlds and Views, Contemporary Art from the Collection, Museum of Modern Art, New York, NY

Jesus Christ Superstar: One Hundred Forty Years of Jesus Christ in Photography, Bruce Silverstein, New York, NY

Exceeding Paint/Expanding Painting, Pratt Institute, Brooklyn, NY

It’s a rough world, how’s your armor?, thebody.com

2004     East Village USA, New Museum, New York, NY

Off the Wall: Works from the JP Morgan Chase Collection, Bruce Museum, Greenwich, CT

2003     Crimes and Misdemeanors: Politics and US Art of the 1980s, Lois and Richard Rosenthal Center for

Contemporary Art, Cincinnati, OH

Saint Sebastian, Kunsthalle Wien, Vienna, Austria

New Additions: Prints for an American Museum Part I, Whitney Museum of American Art, New York, NY

Walking in the City, Apexart, New York, NY; Kunsthalle Fridericianum, Kassel, Switzerland

Artist’s Choice: Mona Hatoum, Here is Elsewhere, Museum of Modern Art, New York, NY

Howl Festival Art Show, The Proposition, New York, NY

2002     Subject Matters, Kravets/Wehby Gallery, New York, NY

The Culture of Violence, University Museum of Contemporary Art, University of Massachusetts, Amherst, MA

Art and Outrage, Robert Miller Gallery, New York, NY

Social Landscape, P·P·O·W, New York, NY

Visions of America: Photographs from the Whitney Museum of American Art, 1994-2001, Whitney Museum of American Art, New York, NY

With and Without You: Re-visitations of Art in the Age of AIDS, curated by Royce Smith as part of the Gay Games Festival, Ivan Dougherty Gallery, Sydney, Australia

The Culture of Violence, University Gallery, University of Massachusetts Amherst, MA

Crisis Response, RISD Museum of Art, Providence, RI

Corpus Christi: Photographic Representations of Christ 1855 - 2002, Hotel de Sully, Paris, France

2001     Panic, Julie Saul Gallery, New York, NY

STRIKE! Printmakers as Social Critics, Gallery of Contemporary Art, Lewis & Clark College, Portland, OR.

Read All About It!, Greg Kucera Gallery, Seattle, WA

The South Bronx Story, James Fuentes/The Point, Bronx, NY

Heaven is a Place in Your Head…, Blue Heron Arts Center, New York, NY

True Myth, a play written and directed by Christopher Eaves, adapted from the life and writings of David Wojnarowicz, Blue Heron Arts Center, New York, NY

Featured Works VI: David Wojnarowicz- Earth and Wind, Fire and Water, Krannert Art Museum, University of Illinois at Urbana-Champaign, IL

Recovering the Positive: Originals, Parsons School of Design, New York, NY

Finding AIDS: Representations, Parsons School of Design, New York, NY

2000     The End: An Independent Vision of Contemporary Culture, 1982-2000, Exit Art, New York, NY

Horse: The Male as Sexual Entity, Ron Judish Fine Arts, Denver, CO

Odd Bodies, The National Gallery of Canada, The Nickle Arts Museum, University of Calgary, Calgary, Canada

Fever in the Archive: AIDS Activist Videotapes from the Royal S. Marks Collection, Solomon R. Guggenheim Museum, New York, NY

Potent Present: Vicki and Kent Logan Collection, Logan Galleries, California College of Arts and Crafts, San Francisco, CA

On The Edge, El Paso Museum of Art, El Paso, TX

1999     True West, P·P·O·W, New York, NY

Persuasion, curated by Lea Fried and Roxana Marcoci, Lombard-Freid Fine Arts, New York, NY

Love’s Body: Rethinking Naked and Nude in Photography, Suntory Museum, Osaka, Japan

The Boys Go Off to War, Gracie Mansion, New York, NY

Radiant Children: Art of the East Village – 1980’s, curated by Jonathan Weinburg and Joel Handorff, Lamia Ink!, New York, NY; Tweed Museum of Art, University of Minnesota, Duluth, MN; Plains Art Museum, Fargo, ND; Illinois State University, Normal, IL; Carleton College Art Gallery, Northfield, MN; Alexandria Museum of Art, Alexandria, LA; Tarble Arts Center, Eastern Illinois University, Charleston, IL, Chicago Cultural Center, Chicago, IL; University Gallery, University of Delaware, Newark, DE

1998     Taboo: Repression and Revolt in Modern Art, Galerie St. Etienne, New York, NY

Text and Territory: Navigating through Immigration and Dislocation, University Galleries, Illinois State University, Normal, IL

Love’s Body: Rethinking Naked and Nude in Photography, Tokyo Metropolitan Museum of Photography, Tokyo, Japan

Male, curated by Vince Aletti, Wessel + O’Connor Gallery, New York, NY

1997     Odd Bodies, Nickle Arts Museum, University of Calgary, Alberta, Canada

Photography, Hal Bromm, New York, NY

Of Blood and Affection: Family Post-Mortem Documents, Gallery TPW, Toronto, Ontario, Canada

1996     Cultural Economies: Histories from the Alternative Arts Movement, NYC, organized by Julie Ault, Drawing Center, New York, NY

Reto Flury und David Wojnarowicz, Galerie Peter Kilchman, Zürich, Switzerland

Arts Communities/AIDS Communities: Realizing the Archive Project, organized by Visual AIDS, Boston Center for the Arts, Boston, MA

Odd Bodies, National Gallery of Canada, Ottawa, Ontario, Canada

Sex and Crime: Von den Verhaltnissen der Menschen, Sprengel Museum, Hannover, Germany

Thinking Print: Books to Billboards, 1980-95, Museum of Modern Art, New York, NY

Transforming the Social Order, Tyler Galleries, Tyler School of Arts, Temple University, Philadelphia, PA

1995     Under Construction: Rethinking Images of Identity, curated by Michael Anderson and Sue Spaid, Armory Center for the Arts, Pasadena, CA   

Sites of Being, Institute of Contemporary Art, Boston, MA

Consider the Alternatives: Twenty Years of Contemporary Art at Hallwalls, Hallwalls Contemporary Arts Center, Buffalo State College, Buffalo, NY

Face Forward: Self-Portraiture in Contemporary Art, John Michael Kohler Arts Center, Sheboygan, WI

Male Desire: Homoerotic Images in Twentieth-Century American Art, Mary Ryan Gallery, New York, NY

1994     Welt-Moral: Moralvorstellungen in der Kunst heute, curated by Thomas Kellein, Kunsthalle Basel, Basel, Switzerland

Can You Always Believe Your Eyes? Recente Amerikaanse Tekeningen, Con Rumore Foundation, Breda, Netherlands

Three Person Exhibition, Revolution, Ferndale, MI

Significant Losses: Artists Who Have Died From AIDS, Art Gallery, University of Maryland, College Park, MD

Recent Acquisitions, 1990-1993, Jersey City Museum, Jersey City, NJ

From Media to Metaphor: Art About AIDS, organized by Independent Curators Incorporated, Grey Art Gallery and Study Center, New York University, New York, NY

The Realm of the Coin: Money in Contemporary Art, Salina Art Center, Salina, KS; Columbia Museum of Art, Columbia, SC; Shafer Art Gallery, Barton County Community College, Great Bend, KS; Sangre de Cristo Arts Center Museum, Pueblo, CO

Love, Life and Death, organized by FNAC, France; Traveled to different branches of FNAC in Spain and France through 1996

1993     States of Loss, Jersey City Museum, Jersey City, NJ

The Subject of Rape, Whitney Museum of American Art, New York, NY

The Figure as Fiction: The Figure in Visual Art and Literature, Contemporary Arts Center, Cincinnati, OH

Abject Art: Repulsion and Desire in American Art, Whitney Museum of Art, New York, NY

Multiple Images: Photographs since 1965 from the Permanent Collection, Museum of Modern Art, New York, NY

From Media to Metaphor: Art About AIDS, organized by Independent Curators Incorporated, Bass Museum of Art, Miami Beach, FL; McKissick Museum, University of South Carolina, Columbia, SC; Fine Art Gallery, Indiana University, Bloomington, IN; Santa Barbara Contemporary Arts Forum, CA

The Realm of the Coin: Money in Contemporary Art, Queens Museum of Art, Flushing, NY; Fullerton Museum Center, Fullerton, CA; Hyde Collection, Glen Falls, NY; Chicago Public Library, Chicago, IL

Tema: AIDS, Henie-Onstad Kunstsenter Høvikodden, Oslo, Norway

Markets of Resistance, White Columns, New York, NY

Whitney Biennial, Whitney Museum of American Art, New York, NY

Interzone, John Post Lee Gallery, New York, NY

Tommy Turner and Thom Corn Present: New York Tension Film Festival, 450 Broadway Gallery, New York, NY

Beyond Loss: Art in the Era of AIDS, Washington Project for the Arts, Washington, DC

1992     The Order of Things: Toward A Politic of Still Life, John Michael Kohler Arts Center, Sheboygan, WI

Corporal Politics, MIT List Visual Arts Center, Cambridge, MA

Photography: Expanding the Collection, Whitney Museum of American Art, New York, NY

Empowering the Viewer: Art, Politics and Community; William Benton Museum of Art, University of Connecticut, Storrs, CT; Tyler School of Art, Temple University, Philadelphia, PA

Scandal, Outrage and Censorship: Controversy in Modern Art, Galerie St. Etienne, New York, NY

More Than One Photography, Museum of Modern Art, New York, NY

Recent Acquisitions: Photography, New York Public Library, New York, NY

The Power of the City, the City of Power, Whitney Museum of American Art, Federal Reserve Plaza, New York, NY

The Invention of Childhood, John Michael Kohler Arts Center, Sheboygan, WI

Gegendarstellung: Ethics and Aesthetics in Times of AIDS, Kunstverein, Hamburg, Germany; Kunstmuseum, Luzern, Switzerland

Re-framing Cartoons, Wexner Center for the Arts, Ohio State University, Columbus, OH

Read My Lips: New York AIDS Polemics, Tramway, Glasgow, Scotland

Fuel, curated by Jay Younger, Australian Centre for Photography, Sydney, Australia; Australian Centre for Contemporary Art, Melbourne, Australia

The Realm of the Coin: Money in Contemporary Art, Hofstra University Museum, Hempstead, NY; Laguna Gloria Art Museum, Austin, TX

Departures: Photography 1923-1990, organized by Independent Curators Incorporated, Iris and B. Gerald Cantor Art Gallery, College of the Holy Cross, Worcester, MA; Denver Art Museum, Denver, CO; Joslyn Art Museum, Omaha, NE; Pittsburgh Center for the Arts, Pittsburgh, PA; Goldie Paley Gallery, Moore College of Art and Design, Philadelphia, PA; Telfair Academy of Arts and Sciences, Savannah, GA

From Media to Metaphor: Art About AIDS, organized by Independent Curators Incorporated, Emerson Gallery, Hamilton College, Clinton, NY; Center on Contemporary Art, Seattle, WA; Sharadin Art Gallery, Kutztown, PA; Musee d'art Contemporain, Montreal, Quebec, Canada

1991     The Figure in the Landscape, Baumgartner Galleries, Washington, DC

From Desire...A Queer Diary, Richard F. Brush Art Gallery, St. Lawrence University, Canton, NY

Whitney Biennial, Whitney Museum of American Art, New York, NY

The Art of Advocacy, Aldrich Museum of Contemporary Art, Ridgefield, CT

Hands Off!, New School for Social Research, New York, NY

Tableaux Du SIDA, Fondation Deutsch, Belmont-Sur-Lausanne, France

The Third Rail, curated by Karin Bravin, John Post Lee Gallery, New York, NY

Compassion and Protest: Recent Social and Political Art from the Eli Broad Family Foundation Collection, San Jose Museum of Art, San Jose, CA

American Narrative Painting and Sculpture: The 1980s, Nassau County Museum of Art, Roslyn, NY

Cruciformed: Images of the Cross since 1980, Cleveland Center for Contemporary Art, Cleveland, OH

Vollbild Tableaux du SIDA: Eine Kunstausstellung uber Leben und Sterben, Fondation Deutsch, Belmont-sur-Lausanne, Switzerland

Word as Image: American Art 1960-1990, Contemporary Arts Museum, Houston, TX

Social Sculpture, curated by Steven Harvey and Elyse Cheney, Vrej Baghoomian Gallery, New York, NY

The Interrupted Life, New Museum of Contemporary Art, New York, NY

Outrageous Desire: The Politics and Aesthetics of Representation in Recent Works by Lesbian and Gay Artists, DAB Galleries, Rutgers University, New Brunswick, NJ

Art of the 1980s: Selections from the Collection of Eli Broad Foundation, Duke University Museum of Art, Durham, NC

Domenikos Theotokopoulos: A Dialogue, Philippe Briet Gallery, New York, NY

Fuel, curated by Jay Younger, Institute of Modern Art, Brisbane, Australia

1990     Strategies in Photography, Deson-Saunders Gallery, Chicago, IL

The Indomitable Spirit, International Center of Photography, New York, NY; Los Angeles Municipal Art Gallery, Los Angeles, CA

Life before Art: Images from the Age of AIDS, Carlo Lamagna Gallery, New York, NY

Images of Death in Contemporary Art, Patrick and Beatrice Haggerty Museum of Art, Marquette University, Milwaukee, WI

Vollbild Tableaux du SIDA: Eine Kunstausstellung uber Leben und Sterben, Kulturzentrum Dampfzentrale, Bern, Switzerland

Ubers Sofa - Auf Die Strasse!, Neuen Gesellschaft fur Bildende Kunst, Berlin, Germany

NATURE/nature, Gallery 400, University of Illinois at Chicago, Chicago, IL

Assembled, University Art Galleries, Wright State University, Dayton, OH

Joint Ventures, Artists Space, New York, NY

Emulsionally Involved: Ten Photographers Respond to AIDS, Images, Cincinnati, OH

Critical Realism, Perspektief, Rotterdam, Netherlands

The Decade Show: Frameworks of Identity in the 1980s, Museum of Contemporary Hispanic Art, New York, NY

Word as Image: American Art 1960-1990, Milwaukee Art Museum, Milwaukee, WI; Oklahoma City Art Museum, Oklahoma City, OK

Inside the Beast, Charles Lucien Gallery, New York, NY

The Last Decade: American Artists of the 80's, Tony Shafrazi Gallery, New York, NY

The Lazaretto: An Installation about the Current Status of the AIDS Crisis, P·P·O·W, New York, NY

AIDS Timeline (Hartford, 1990), curated by Group Material, Wadsworth Atheneum, Hartford, CT

Queer: Out in Art, Wessel + O'Connor Gallery, New York, NY

AIDS/SIDA, Real Art Ways, Hartford, CT

Devil on the Stairs: Looking Back on the Eighties, Institute of Contemporary Art, Philadelphia, PA

The New School Collects: Recent Acquisitions, curated by Kathleen Goncharov, Exhibition Center, Parsons School of Design, New York, NY

1989     I Bienal De Pintura: Cultural Rioja, Logrono, Spain

Golden Opportunity: Benefit Exhibit for the Resettlement of Salvadoran Refugees, Leo Castelli, New York, NY

Slaves, 30 Bond Street, New York, NY

Ulteriors, Lisa McDonald Gallery, New York, NY

Witnesses: Against Our Vanishing, curated by Nan Goldin, Artist's Space, New York, NY

The Assembled Photograph, University Art Galleries, Wright State University, Dayton, OH

Departures: Photography 1924-89, Hirschl and Adler Modern, New York, NY

Art about AIDS, Freedman Gallery, Albright College, Reading, PA

Art on Paper,1989, Weatherspoon Art Gallery, University of North Carolina, Greensboro, NC

AIDS Timeline, curated by Group Material, University Art Museum, University of California, Berkeley, CA

1988     Unknown Secrets: Art and the Rosenberg Era, University of Colorado Art Galleries, Boulder, CO; Installation Gallery, San Diego, CA; Brunnier Gallery and Museum, Iowa State University, Ames, IA; Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY; Gray Gallery, East Carolina State University, Greenville, NC; University Gallery, Cleveland State University, Cleveland, OH; Johnson Center for the Arts Gallery, Muhlenberg College, Allentown, PA; Museum of Art, Pennsylvania State University, University Park, PA; Anderson Gallery, Virginia Commonwealth University, Richmond, VA

The Wolf at the Door, Hartwick College, Oneonta, NY

After Street Art, Boca Raton Museum, Boca Raton, FL

ACT UP, White Columns, New York, NY

Billboards, Littlejohn-Smith Gallery, New York, NY

Dislocations, curated by Don Hanson, New York, NY

Small Works, Gracie Mansion Gallery, New York, NY

Still Trauma, Milford Gallery, New York, NY

1987     Art Against AIDS, Gracie Mansion, New York, NY

Exposed and Enveloped, Laurence Miller Gallery, New York, NY

Gracie Mansion Gallery, New York, NY

Floating Values, Hallwalls Contemporary Art Center, Buffalo, NY

Nausea, Aslyum Gallery, New York, NY

Thought Objects: Benefit Exhibition of Photographs for “Just Another Asshole” #7, Cash/Newhouse, New York, NY

Anna Friebe Galerie, Cologne, Germany

Products and Promotion: Art, Advertising, and the American Dream, University Gallery of Fine Art, Ohio State University, Columbus, OH; Franklin Furnace, New York, NY

Greene Gallery, Coral Gables, FL

Hal Bromm Gallery, New York, NY

Scott Hanson Gallery, New York, NY

Karl Bornstein Gallery, Santa Monica, CA

Redtape Magazine Benefit, E.M. Donahue Gallery, New York, NY

1986     The All Natural Disaster Show, organized by Bronx Council on the Arts, Longwood Arts Project, Bronx, NY

The East Village, Fashion Institute of Technology, New York, NY

Village Fare: A Survey of Recent Trends in East Village Art, George Paton Gallery, Melbourne, Australia

In the Tropics, organized by Bronx Council on the Arts, Longwood Arts Project, Bronx, NY

Homage to Nicolas A. Moufarrege, Gabrielle Bryers Gallery, New York, NY

Products and Promotion: Art, Advertising, and the American Dream, SF Cameraworks, San Francisco, CA

Toys Art Us, organized by Bronx Council on the Arts, Longwood Arts Project, Bronx, NY

Accrochage, Anna Friebe Galerie, Cologne, Germany

Sur les murs, Fondation Cartier, Jouy-en-Josas, France

Ultime, Castello Di Volpaia, Italy

Four American Artists, Stockholm Mobile, Stockholm, Sweden; Favle Museum of Contemporary Art, Sweden; Ornskoldsviks Museum of Contemporary Art, Sweden; Umean New Culture Center, Sweden; Boras Contemporary Art Center, Sweden

Fashion Moda Presents: Of the Street, Aspen Museum of Art, Aspen, CO

Walls: Glier, Rodriguez, Wojnarowicz, Norton Gallery of Art, West Palm Beach, FL

Illumination: The Art of Your Future, Arte et Industrie, New York, NY

Potpourri, Terra Artis Gallery, New York, NY

Eight Urban Painters, Fine Arts Center Art Gallery, State University of New York, Stony Brook, NY

America, Albert Totah Gallery, New York, NY

Fresh, DiLaurenti Gallery, New York, NY

Annual Auction, National Abortion Rights League Auction, New York, NY

1985     Sounds in the Distance, play by David Wojnarowicz, directed by Allen Frame, Bill Rice Garden, New York, NY

New Painting, Hal Bromm Gallery, New York, NY

Whitney Biennial, Whitney Museum of American Art, New York, NY

Art in Anchorage 2, organized by Creative Time, Brooklyn Bridge Anchorage, Brooklyn, NY

Anniottanta, Bologna, Italy; Imola, Italy; Ravenna, Itally; Rimini, Italy

#2 Smart Art Too, 55 Mercer Street Gallery, New York, NY

Three Person Show, collaboration with Marion S. and Greer Lankton, T. Greathouse Gallery, New York, NY

Graffiti and East Village Artists, Librizzi Gallery, New York, NY

National and International Studio Program Exhibition, The Clocktower, New York, NY

East Village Sampler, Jones Troyer Gallery, Washington DC

Recommendations, '85, Kamikaze, New York, NY

Red Tape Benefit Art Sale, Sensory Evolution Gallery, New York, NY

Village Fare: A Survey of Recent Trends in East Village Art, Mori Gallery, Sydney, Australia

Prints February 1985, Phoenix City Art Gallery, New York, NY

New York/New Art, Vorpal Gallery, San Francisco, CA

The Cracked Mirror Show, Nada Gallery, New York, NY

Group Show, Palladium, New York, NY

57th Between A and D: Selected Artists from the East Village, Holly Solomon Gallery, New York, NY

Investigations 15, Institute of Contemporary Art, Philadelphia, PA

Getting Off, Civilian Warfare, New York, NY

A Brave New World: a New Generation: Forty New York Artists, Charlottenborg Exhibition Hall, Copenhagen, Denmark

Benefit for the Kitchen: Exhibition and Sale, Brooke Alexander, New York, NY

Out of the Ooo Cloud: Artists Salute the Return of Halley's Comet, Edith C. Blum Art Institute, Bard Center for Curatorial Studies, Annandale-on-Hudson, NY

Synesthetics: Writers and Artists, MoMA P.S. 1, Long Island City, NY

Group Show, Anna Friebe Galerie, Cologne, Germany

The Missing Children Show: Six Artists from the East Village on Main Street, Kentucky Lithograph Building, Louisville, KY

Hard Cold Facts, B-Side Gallery, New York, NY

Selections from Ed Cauduro's Collection, Portland Art Museum, Portland, OR

The Discovery of America, Wessel O'Connor Gallery, Rome, Italy

Watercolors, Steven Adams Gallery, New York, NY

Season's Greetings, Zero One Gallery, Los Angeles, CA

East Village, Greene Gallery, Coconut Grove, FL

The East Village Scene, Lowe Art Museum, University of Miami, Coral Gables, FL

1984     East Village Artists, curated by Margo Crutchfield, Virginia Museum of Fine Arts, Richmond, VA

Neo York, curated by Phyllis Plous, University Art Museum, University of California, Santa Barbara, CA; Akron Art Museum, Akron, OH

Modern Masks, curated by Susan Lubowsky, Whitney Museum of American Art, New York, NY

Acid Show, curated by James Romberger, Sensory Evolution Gallery, New York, NY

Indigestion, P.P.O.W, New York, NY

Fay Gold Gallery, Atlanta, GA

Contemporary Perspectives 1984, Center Gallery, Bucknell University, Lewisburg, PA; Sordoni Art Gallery, Wilkes College, Wilkes-Barre, PA

Benefit Party for “Between C & D” Magazine, Night Gallery, New York, NY

Body Politic, Tower Gallery, New York, NY

Fashion Moda Presents: Of the Street, University of Colorado at Boulder Art Galleries, Boulder, CO

Windows on 15th Street, Installation, New York, NY

The East Village Scene, Institute of Contemporary Art, Philadelphia, PA

East Village Art in Berlin: Romance and Catastrophe, Zellermeyer Gallerie, Berlin, Germany

New York New, Corrado Levi Studio, Milan, Italy

North by Northwest, curated by Steven L. Kaplan, Frank Bernarducci Gallery, New York, NY

Veto/Vote, ABC No Rio, New York, NY

Visitors from the East Village, Peter Miller Gallery, Chicago, IL

New Narrative Paintings from the Metropolitan Museum of Art, Museo Tamayo, Mexico City, Mexico

Desde New York: 37 Pintores del East Village, Centro de Arte y Comunicacion, Buenos Aires, Argentina;  Museo Municipal de Bellas Artes, Pellegrini, Argentina

Sculpture Show: Neue Skulpturen aus dem East Village, Anna Friebe Galerie, Cologne, Germany

EMBLEM, L.A.C.E., Los Angeles, CA

Twenty-Five Thousand Sculptors from across the U.S.A., Civilian Warfare, New York, NY

Situations, Jamaica Arts Center, Queens, NY

51X Gallery Installation with Judy Rifka, Futura 2000 and Rich Collicchio

New Galleries of the Lower East Side, Artists' Space, New York, NY

            Best of the East Village, American Graffiti Gallery, Amsterdam, Netherlands

25,000 Sculptors from Across the U.S.A., Civilian Warfare, New York, NY

Soon to be a Major Motion Picture, T. Greathouse Gallery, New York, NY

The New Portrait, curated by Jeffrey Deitch, MoMA P.S. 1, Long Island City, NY

Tenth Street and Avenue B: East Village Art Today, Newport Harbor Art Museum, Newport Harbor, CA

Fit to Be Tied, Civilian Warfare, New York, NY

Painting and Sculpture Today, 1984, Indianapolis Museum of Art, Indianapolis, IN

Too Young for Vietnam, curated by Carlo McCormick and Thomas Solomon, White Columns, New York, NY

Limbo, curated by Carlo McCormick, MoMA P.S. 1, Long Island City, NY

Totem, Charles Cowles Gallery, Bonnier Gallery and Germans van Eck, New York, NY

Eighth Annual Forgione Art Show, Forgione Estate, Old Westbury, NY

Found Language: Recent Art Employing Quotation of Spoken or Written Language from Other Sources, Franklin Furnace, New York, NY

East Village, Anna Friebe Galerie, Cologne, Germany

Salon Show, Gracie Mansion, New York, NY

Gracie Mansion Presents, Kamikaze, New York, NY

National and International Studio Program 1983-1984, The Clocktower, New York, NY

Climbing: The East Village, Hal Bromm Gallery, New York, NY

1983     Sounds in the Distance, by David Wojnarowicz, adapted and directed by Allen Frame, Bill Rice's Garden, New York, NY; BACA Downtown, Brooklyn, NY

Sex Show, Sharpe Gallery, New York, NY

Underdog, East 7^th Street Gallery, New York, NY

Fiction Diction Series, Hallwalls Center for Contemporary Art, Buffalo, NY

The Terminal Show, Brooklyn Terminal, Brooklyn, NY

Sofa/Painting, Gracie Mansion, New York, NY

Food for the Soup Kitchens, Fashion Moda, Brooklyn, NY

From the Streets, Greenville County Museum of Art, Greenville, SC

Saints, Harm Bouckaert Gallery, New York, NY

Urban Pulses, with Keith Haring, John Fekner, Michael Smith and Jenny Holzer, Pittsburgh Center for the Arts, Pittsburg, PA

ABC No Rio Looks at Books, ABC No Rio, New York, NY

Pier 34: A Photographic Interpretation, El Pueblo Gallery, New York, NY

Summer Show, Hal Bromm Gallery, New York, NY

Acid Paintings, in collaboration with Luis Frangella, Limbo Lounge, New York, NY

Fourteen Artists, Limbo Lounge, New York, NY

The Wild West, Piezo Electric, New York, NY

Prints and Drawings for Collectors, curated by Bill Radaw, Cleveland Contemporary Art Center, Cleveland, OH

Speed Trials, White Columns, New York, NY

Running '83: An Exhibition of Contemporary Art, International Running Center, New York, NY

Intoxication, curated by Nicholas Moufarrege, Monique Knowlton Gallery, New York, NY

Three-Part Variety, Alexander Milliken Gallery, New York, NY

Ward Line Pier Project, organized by Mike Bidlo and David Wojnarowicz, New York, NY

1982     Fast, Alexander Milliken Gallery, New York, NY

David Wojnarowicz and Peter Fend, Todd’s Copy Shop, New York, NY

I Heart MX: Multiple Nuclear Orgasm, Todd’s Copy Shop, New York, NY

Hit and Run, Civilian Warfare, New York, NY

The Hunger Show, Gallery 345, New York, NY

100 Works, 100 Artists, 100 Sq. In., Public Illumination Gallery, New York, NY

Beast Show, MoMA P.S.1, Long Island City, NY

3 Person Show, Civilian Warfare Gallery, New York, NY

The Famous Show, Gracie Mansion, New York, NY

COLAB Show, Barbara Gladstone Gallery, New York, NY

Group Show, Lucky Strike Gallery, New York, NY

The Raw Edge, Cheltenham Center for the Arts, Cheltenham, PA

Gracie Mansion at Inroads, Inroads Gallery, New York, NY

Street: Image Brawl (PADD), Franklin Furnace, New York, NY

1981     Lower Manhattan Drawing Show, curated by Keith Haring, Mudd Club, New York, NY

The First Annual Club 57 Group Erotic and Pornographic Art Exhibition, curated by Keith Haring, Club 57, New York, NY

Hunger, action installation with Julie Hair, Leo Castelli's Staircase, New York, NY

AWARDS

1991     Louis Comfort Tiffany Award

BIBLIOGRAPHY

2020     Fiontán Moran, “Smell the Flowers While You Can: on David Wojnarowicz’s 1990 Exhibition in the Garden,” DUST Magazine, Issue 17, Summer/Fall 2020 (p. 230-245).

2018     COLUMBIA: A Journal of Literature and Art, McNaughton & Gunn.

NUDE: Art from the Tate Collection, Tate.

2017     Anohni. My Truth, London: Kunsthalle Bielefeld Koenig Books.

Hirsch, Robert. Seizing the Light: A Social & Aesthetic History of Photography. New York: Taylor& Francis.

Boonevie, Claire. Jardin inifini. Paris: Editions du Centre Pompidous -Metz.

de Chassey, Eric. Perspective actualite en histoire de l’art. Paris: Institut national d’histoire de l’art.

Coppel, Stephen. Daunt, Catherine. Tallman, Susan et al. The American Dream: pop to the present. London: British Museum/Thames and Hudson.

2016     Meurer, Joyce. Art At Work, The JPMorgan Chase Art Collection. New York JPMorgan Chase & Co.

2015     Bajac, Quentin and Lucy Gallun. Photography at MoMA: 1960 to Now. New York: The Museum of Modern Art.

Junge, Sophie. KUNST gegen das VER SCHWIN DEN: Strategien der Sichtbarmachung von AIDS in Nan Goldins Ausstellung Witnesses: Against Our Vanishing. DeGruyter, Berlin, Germany.

2014     Houser, Heather.”AIDS Memoirs Out of the City: Discordant Natures.” Ecosickness in Contemporary U.S. Fiction: Environment and Affect. Columbia University Press, 2014.
DIRGE: Reflections on [Life and] Death, catalog to accompany the exhibition at the Museum of Contemporary Art Cleveland, Cleveland, OH, 2014.

2013     Caribbean: Art at the Crossroads of the World. El Museo del Barrio, New York, in association with Yale University Press, 2013.

Russeth, Andrew. “David Wojnarowicz’s Journals Now Available Online,” GalleristNY.com, May 14, 2013.

Ulin, David L. “Revisiting David Wojnarowicz’s ‘7 Miles a Second,’” Los Angeles Times, January 31, 2013.

2012     Fast Forward: Modern Movements 1913 >> 2013, published in conjunction with an exhibition of the same name. The Museum of Modern Art, New York and High Museum of Art, Atlanta, Georgia, 2012 (p. 151).

Roach, Tom. “Friendship as a Way of Life” Foucault, AIDS, and the Politics of Shared Estrangement.” Albany: State University of New York Press, 2012.

Horn, Daniel. “After Anger” Frieze Blog, April 6, 2012.

Wells, Georgina, “Fire in the Belly: Art, AIDS and Politics, In the life of David Wojnarowicz,” ArtLog.

“Behind the Curtain: The Aesthetics of the Photobooth,” Musee de L’Elysee

Sante, Luc. “Artist In Extremis” BookForum, Summer 2012.

Waxman, Lori. Museum of Contemporary Art looks back at the 80’s,” Chicago Tribune, April 25, 2012

Estefan, Kareem. “I is an Other: Writing Wojnarowics AIDS and the East Village,” Creative Capital The Lab, May 29.

Denson, G. Roger. “When Walls come Falling Down: A Left Political Art Timeline 1989-2000” The Huffington Post, April 16.

Garner, Dwight, “Primal beauty in the life Undeterred,” New York Times, July 19.

“Eye on a Century: Modern and Contemporary Art from the Charles B. Benenson Collection at the Yale University Art Gallery,” Yale University Press: New Haven, 2012. p. 153.

2011     Ives, Lucy, “Internet as Material project: Years Ago Before the Nation Went Bankrupt”, Triple Canopy, Issue 14, September 22.

Discussion on “A Fire in My Belly”, Index on Censorship, Volume 40, Number 3.

Rogerson, Steph, “Hide/Seek: Difference and Desire in American Portraiture,” cmagazine110, Jul. p 49.                                                                                                                                      Rothfuss, Joan, “Eiko & Koma,” Walker Art Center, Minneapolis, MN. 2011. p 64.                       Heartney, Eleanor, “David Wojnarowicz P.P.O.W.”, Art in America, June/July, 2011.

Cembalest, Robin, “Should Curating Be Crowdsourced?”, Artnews, April 2011.

L. Rooney, Kara, “David Wojnarowicz Spirituality”, The Brooklyn Rail, April 2011.

“Philadelphia Museum of Art Presents Unsettled: Photography and Politics in Contemporary Art,” Philamuseum.org, March 30, 2011.

Conley, Kevin, “Art review: David Wojnarowicz’s ‘Spirituality’ at PPOW gallery in New York,” The Washington Post, March 16, 2011.

Fateman, Johanna, “David Wojnarowicz P.P.O.W.”, Artforum, March 2011.

Storr, Robert, “Rights & Wrongs”. Frieze Magazine, March 2011. p. 15.

Wyplewski, Joann, “The Upside of Censorship”, The Nation, March 7, 2011.

Catton, Pia, “Censored, Censored, but Never Forgotten, Rescuing the Legacy of a Controversial New York Artist”. The Wall Street Journal. March 3, 2011.

2010     Urban, Otto. “Decadence Now! Visions of Excess,” Arbor Vitae, 2010.  p. 3-5.

Schwendener, Martha, “Gritty, Mostly Male and White: Art Review”, The New York Times, Jan 14, 2010.

“Love’s Body: Art in the Age of AIDS.” October-December 2010. p. 68-69; 163-165.

“Exhibition ‘Queer Identity’ Requires Unusual Preparations,” Houston Chronicle. June 18, 2010.

“Because We Are,” Station Museum of Contemporary Art. p. 4-5.

“Rimbaud Mania,” April 2010. p. 125-127. 

Putnam, Adam, “Into the Abyss,” p. 49.

2008     “Street Art Street Life: From the 1950s to Now,” Aperture, New York, NY. 2008. P. 53.

“More To Love: The art of Living Together,” ARTAIDS, Thailand, 2008, p.32. 

Lewisohn, Cedar, “The Graffiti Revolution,” Tate Publishing, Millbank, London, UK. 2008. p 76.

reproduction Abandoned warehouse, Hudson River, New York City, 1983.

2007     “ARTWORKS: The Progressive Collection, D.A.P.” New York, NY. 2007. Reproduction of Self Portrait as a Chicken Lady. P.166.
Patt, Lise. “Searching for Sebald: Photography after W.G. Sebald,” The Institute of Cultural Inquiry, Los Angeles, CA. 2007. p 21 reproduction of Arthur Rimbaud in New York (Duchamp). 

Nelson, Maggie. “Women, The New York Studio School, and other True Abstractions,” Iowa, Iowa City 2007. p. 209 reproduction of Arthur Rimbaud in New York (masturbating).

Rimbaud, Arthur. Poemes et correspondence choisis. La bibiotheque Gallimard, Paris, France. 2007. (Front Cover Reproduction: detail Arthur Rimbaud in New York).

Schor, Gabriele. “Held Together with Water: Art from the Sammlung Verbund.” Hatje Cantz, Ostfildern, Germany. 2007. p. 94- 101.

Langer, Cassandra. “Portraits of an Artist after His Demise,” The Gay & Lesbian Review/worldwide. May/June 2007. p. 38.
Scheinman, Pamela. “Altered, Stitched, and Gathered,” Fiberarts. April/May 2007. p. 52-53.

2006     Ambrosino, Giancarlo, Ed. David Wojnarowicz: A Definitive History of Five or Six Years on the Lower East Side. Semiotext, New York. 2006.

New York, New York: Fifty Years of Art, Architecture, Cinema, Performance, Photography, and Video. Eds. Germano Celant and Lisa Dennison. Skira, Milano 2006.

Bonham-Carter, Charlotte. Review. Art Review. August 2006, issue 2. p. 135.

Wood, Catherine. David Wojnarowicz. Frieze. Issue 100, June/July/August 2006.

The Downtown Book: The New York Art Scene, 1974-1984. ed. Marvin J. Taylor. Princeton University Press, Princeton.

2005     Jones, Karen E. “Exceeding Paint/Expanding Painting: Medium, Method, and Practice,” Exceeding Paint/Expanding Painting. Catalog Essay. Pratt Institute, 2006.

Jacques, Melissa. “Making Cruising Dwelling: Motion as shelter in the work of David Wojnarowicz,” Performance Research, volume 10, no. 4, Dec. 2005, pg. 155-169.

Hirsch, Faye, Review, Art in America, April, p.143-144.

Schjeldahl, Peter. That Eighties Show: Revisiting the East Village, New Yorker, Jan 24-31. p. 94-95.

Stevens, Mark, Everything Went, New York Magazine, January 3, 2005. p. 76-77.

2004     Natural History, work to accompany article: “Launching the Right Stuff”, April 4, 2004. p. 16.

Sebastian, Heiliger, A Splendid Readiness for Death, Nov.14 - Feb. 15, 2004. Kunsthalle Wien.

Wojnarowicz, David, Mémoires d'une désagrégation, French translation of Memoirs of Disintegration, Le Serpent à Plumes.

Art Through the Ages, reproduction of When I Put My Hands on Your Body.

Heartney, Eleanor. Postmodern Heretics: The Catholic Imagination in Contemporary Art. Midmarch Arts Press: New York. 2004. p. 97.

Lizawa, Kotaro, The History of the World Photography.

2003     Into the Abyss, inside back cover, published by Adam Putnam.

2004, the Buhl Collection Calendar, (Reproduction of Untitled (frog)), unnumbered pages.

Laqueur, Thomas W. Solitary Sex: A Cultural History of Masturbation, MIT Press, Cambridge. p. 414.

Watten, Barrett. The Constructivist Moment: From Material Text to Cultural Poetics. Wesleyan University

Press, Middleton, CT, p.279-90, reproductions plates 62, 63.

2002     La fotographia tra storia e poesia: fotografie della collezione Fnac (Reproductions of the “Sex Series”)

Mazzota Press, Italy, p. 270, 271.

Catalog: The Culture of Violence, University Gallery, UMASS Amherst, MA.

Julius, Anthony. Transgressions, The Offences of Art, Thames & Hudson, London. p.182.

Visions from America: Photographs from the Whitney Museum of American Art, Prestel Verlag Publishers, Munich Reproduction p.154.

James, Bruce. “Between the glitter and the gloom,” Sydney Morning Herald-Metropolitan, October 30.

2001     Review: The New Yorker, August 6, 2001.

White, Edmund. Loss within Loss: Artists in the Age of AIDS, University of Wisconsin Press.

Ritts, Herb. “20 Years: AIDS & Photography,” digitaljournalist.org, Issue 0106.

Anderson, Maxwell. The Whitney Museum of American Art: American Visionaries: Selections from the

Whitney Museum of American Art, p. 327.

Hijuelos, Oscar. “Literatura I Identitat”, Nexus Magazine, issue # 26, July 2001.

2000     “from Arthur Rimbaud in NY,” Chain, #7 memoir/anti-memoir, Summer, pp.225 – 227 (reproduction)

“Art For All,” Relax, #39, May, pp. 22 – 25.

Tedford, Catherine and Sampson, Gary D. Photographs at St. Lawrence University, St. Lawrence University, Canton, NY.

Camper, Fred. “Fest Times: Art Chicago’s best bets,” Chicago Reader, May 12 (reproduction).

Passaro, Vince, “The Last Outsider,” New York Times Book Review, March 12, p. 39.

Hunter, Sam, John Jacobus, Daniel Wheeler.  Modern Art: Painting, Sculpture, Architecture, Harry N. Abrams, Inc.

Sirmans, Franklin. “The End: An Independent Vision of Contemporary Culture, 1982 – 2000,”

Review, TimeOut New York, Summer 2000.

Crossings: A Couter-Disciplinary Journal of Philosophical, Cultural, Historical and Literary Studies, No. 4, Boston University Press, Massachusetts, 2002.   

Meyer, Richard. Outlaw Representation: Censorship and Homosexuality in 20^th Century American Art. Oxford University Press, NY, 2002.

Adbusters Magazine, No. 43, Sept/Oct 2002. p4 (Reproduction of Untitled (Buffalos), 1988).

Patton, Cindy. Globalizing Aids. University of Minnesota Press, Minnesota, 2002.

Aperture 50^th Anniversary Edition, Issue 167, Summer 2002. Ill. P. 27.  

Aperture 50^th Anniversary Edition, Issue 168, Fall 2002.

Piche, Thomas and Mark Durant. Collage Culture: In Post War America, reproduction of Tommy’s Illness/Mexico City, 1987.

1999     Out Magazine, February, pages 50-53.

Sweica, Robert, Simeon Kronenberg, and Janey Dolan. “Now That’s a Queer Notion!,” Museum National, February, Vol. 7 No. 3, pp. 4-7. (reproduction p. 6)

Davis, Keith F. An American Century of Photography: The Hallmark Photographic Collection, Hallmark Cards and Harry N Abrams, Inc., reproduction p. 498.

Newhall, Edith. “Retrospective: Rebel with a Cause,” New York, January 25.p. 69.

Time Out NY, January 7-14. pp. 57,58.

Blackburn, Meg.  “Fever: The Art of David Wojnarowicz,” NY Arts, January. p. 23.

Frankel, David.  “Fever: The Art of David Wojnarowicz,” Artforum, January. p. 37.

Arning, Bill.  “’Fever’ dreams,” Time Out NY, February 4-11. p. 55.

Goldstein, Richard.  “Hunger Artist: The Timely resurrection of David Wojnarowicz,” The Village Voice.February 2. p. 49-51.

Von Ziegesar, Peter. “(david) Wojnarowicz,” Out, February. p. 50-55.

Botanica: Contemporary art and the world of plants, Tweed Museum of Art, Univ of Minnesota, Duluth, 1999.

Levin, Kim.  “Voice Choice,” Village Voice, January 26. p. 68. (cover)

Alleti, Vince. “Voice Choice,” Village Voice, January 26. p. 69.

Cotter, Holland.  “The Tinderbox Career of a Legendary Truth Teller,” The New York Times, Jan 22. p. E35, 38-39.

Chambers, Christopher.  NY Arts, Feb 1999.

Optic Nerve, CD-ROM, published by Red Hot/Funny Garbage, New York, NY.

Montreuil, Gregory.  Review, Cover, Vol. 13, #1, p. 34.

Kuspit, Donald. “David Wojnarowicz: The Last Rimbaud,” Art New England, June/July. p.11.

The American Art Book, Phaidon, 1999. p. 493.

Cameron, Dan. “Passion in the Wilderness,” Juxtapoz, July/August 1999. pp. 38-45.

The Sciences, September/October 1999. (cover illustration).

Cooper, Dennis. “Odd Man Out,” Artforum, October 1999. pp. 130-131, 168 (cover illustration).

Cameron, Dan. “The Legacy of David Wojnarowicz:  Passion in the Wilderness,” Juxtapoz, pp.38 – 45.

American Art of the Twentieth Century:  Treasures of the Whitney Museum of Art, Abbeville Press, Whitney Museum of Art, p. 273.

Face Forward: Self-Portraiture in Contemporary Art, John Michael Kohler Arts Center, Sheboygan, WI, p.18, 21.

Kashara, Michiko. The Politics Behind the Nude, Chikuma Shobo Pub Co, p. 207.

Fever: The Art of David Wojnarowicz, publ. by The New Museum of Contemporary Art and Rizzoli Books, New York, NY.

Meyer, Jerry D. “Profane and Sacred: Religious Imagery and Prophetic Expression in Postmodern Art,”

Journal of the American Academy of Religion, Spring, pgs 19 - 46.

Al-Solaylee, Kamal. ”The Dead Walk with Us,” Xtra!, No. 337, September 25, p. 33.

Jordan, Betty Ann. “Politics painted with panache,” The Globe and The Mail, October 4.

1996     Cooper, Dennis. “The Waterfront Journals,” (review) Artforum (Bookforum), November, p. 6-7.

Bowness, Gordon.  “It Makes Me Weep,” Xtra!, No. 314, November 7.

Meyer, Detlev.  “Das Kommando Delete,” Aktuell, No. 16 (reproductions).

Tricycle, Fall, reproduction p. 83.

Robinson, William. “David Lives: A Studio Visit with James Romberger,” Artnet Magazine

(www.artnet.com), June (reproductions).

Apgar, Garry; Higgins, Shaun O’L. and Colleen Striegel. The Newspaper in Art. New Media Ventures, Spokane, WA. reproduction pg. 178.

1995     Hartley, Christine Schwartz, “The Rimbaud Connection [review of Aperture Issue #137],” The New York Times Book Review, April 23.

Woodward, Richard B. “All the Rage, Posthumously,” The New York Times, May 7, Section 2: 1, 37.

1994     Tager, Alisa. “AIDS,” Poliester, Vol. 3, No. 9, Summer. pp. 8-19 (reproduction).

van den Berg, Els. “Aids related art: ‘The kind of art we’ve needed all along,’” Metropolis M (Utrecht), No. 3, pp. 42-47 & cover image.

Welt–Moral: Moralvorstellungen in der Kunst heute, Kunsthalle Basel, Basel Switzerland. 

“David Wojnarowicz: Brushfires in the Social Landscape,” Aperture #137 November.

1993     Fleming, Lee. “Testament to the AIDS Tragedy,” The Washington Post, May 18. p. E4.

Hess, Elizabeth. “Abject Lessons,” The Village Voice, July 13, 1993.

Read My Lips: New York AIDS Polemics, Tramway, Glasgow, Scotland.

Tema: AIDS, Henie-Onstad Kunstsenter Høvikodden, Oslo, Norway.

States of Loss: Migration, Displacement, Colonialism, and Power, Jersey City Museum, Jersey City, NJ.

Hagen, Charles. “Discovering a Range of Motion in the Still Image,” The New York Times, August 20. p. C29.

Napack, Jonathan. “High (Nancy Kissinger) and Low (Mark Kostabi) Turn out for Alex,” The New York Observer, September 27. p. 22.

1992     Gilson, Nancy. "Exhibit curator in tune with cartoons," Columbus Dispatch, June 25th, 1992.

Kimmelman, Michael, "David Wojnarowicz, 37, Artist in Many Media," Obituary, The New York Times, reproduction, July 24^th. pg. D17.

Departures: Photography 1923-1990, Independent Curators Incorporated, New York.

From Media to Metaphor: Art About AIDS, Independent Curators Incorporated, New York.

Art of the 1980's Selections from the Collection of the Eli Broad Family Foundation, Duke University Museum of Art, Durham, NC.

Fuel, Institute of Modern Art Limited, Brisbane, Australia. 

The Power of the City/the City of Power, Whitney Museum of American Art, New York.

Gegendarstellung-ethics and aesthetics in the time of AIDS, Kunstverein in Hamberg, Hamberg, Germany, reproduction, pgs. 10, 44-47.

Re:Framing Cartoons, Wexner Art Center, Ohio State University, Columbus, OH, reproduction, pgs 1, 10.

Carr, C. "David Wojnarowicz, 1954-1992," Obituary, The Village Voice, reproductions, August 4^th. pgs. 3, 23.

Berger, Maurice, "Stonewalled at the Museum," The Village Voice, August 18^th. pg. 89.

1991     Larson, Kay. "Dying Light," New York, January 7. pg. 50.

Adams, Brook. "Grotesque Photography," The Print Collector's Newsletter, January/February. pg. 206-211.

Thorson, Alice. "The Figure in the Landscape," Washington City Paper, February 1.

Compassion and Protest: Recent Social and Political Art from the Eli Broad Family Foundation Collection, published by Abbeville Press, New York, NY.

Cruciformed:  Images of the Cross since 1980, published by Cleveland Center for Contemporary Art, Cleveland, OH.

The Realm of the Coin: Money in Contemporary Art, published by the Hofstra Museum, Hofstra University, Hempstead, NY.

Nixon, Will. "On the Knife Edge with Wojnarowicz and Vintage," Trade News, February 1. pg. 48.

Cyphers, Peggy. review, Arts Magazine, February. pg. 98.

Goldin, Nan. "Out Rage," Interview Magazine, February.

Levin, Kim. "Intolerance or The Power of Images," New Art, February. pg. 52-55.

Canning, Susan. "David Wojnarowicz:  In the Garden P.P.O.W, Tongues of Flame, Exit Art," Art Papers, April. pg. 59.

Hampton, Howard. "Public Enemies:  Ronald Reagan Conquers the Martians," Artforum, April 1991. pg. 98.

Hellekson, Diane. "Eloquent advocate of gay rights is dying of AIDS," Showtime, May. Section D.

Denson, Roger G. Review of "Tongues of Flame at Exit Art, Tema Celeste, May/June. pg. 99.

Siegel, Jeanne. "The 1991 Whitney Biennial," Tema Celeste, May/June. pg. 97.

Johnson, Ken. "Generational Saga," Art in America, Summer. pg. 45-51.

Kastner, Jeffrey. Review, Artpaper, Summer, Minneapolis. pg. 24.

Elan, Susan. “Culture that Confronts,” County Advocate, Connecticut. June 27.

Ross, Carolee. “Advocacy art gets airing at Aldrich Museum,” The Advocate and Greenwich Time, June 30.

Mifflin, Margot. Review of “Close to the Knives,” Entertainment Weekly, August. pg. 54-55.

The Art of Advocacy, Catalogue for exhibition at the Aldrich Museum, Ridgefield, CT.

Outrageous Desire: The Politics and Aesthetics of Representation in Recent Works by Lesbian and Gay

Artists, Rutgers University, Mason Gross School of the Arts, New Brunswick, NJ.

Litt, Steven. “Using or Abusing a powerful symbol?,” The Plain Dealer, September 8. Cleveland, OH.

Larson, Kay. “Six Threads,” Atelier, October. pg. 4-44.

Utter, Douglas. Review of “Cruciformed: Images of the Cross Since 1980,” Dialogue in the Midwest, Nov/Dec.

Tallman, Susan. “Love and Death,” Arts Magazine, December. pg. 13-14.

Perree, Rob. “David Wojnarowicz, stelt dubbele oral aan de kaak,” Kunst Beeld, December. pg. 27-29.

Wood, Carol. “Reich Place, Wrong Time, How the Nazis Used Art as Propaganda,” City Paper, Dec. pg. 18.

Brew, Kathy. “David Wojnarowicz,” Shift X, Volume 4 Number 2, pg. 24-29.

Hay, David. "Banned in the USA," HQ, Australian, pg. 19-23.

Keehnen, Owen. "Uncompromising Wojnarowicz Lives 'Close to the knives," Outlines, pg. 28.

Review, Close to the Knives Reading, Drawing Center, New York.

Wojnarowicz, David. "Text from: I Feel a Vague Nausea," New Observations, Number 80.

Wojnarowicz, David. Close to the Knives: A Memoir of Disintegration. Random, New York, 1991.

1990     Aletti. "Choices:  Group Show," The Village Voice, January 9.

Hirsh, David. "Social Realities," New York Native, January 15. pg. 31.

Lipson, Karen. "This Time, Endowment Gives Funds for AIDS Exhibit, "New York Newsday, Jan 23. p. 2, 12.

Carr, C. "Portrait of the Artist in the Age of AIDS," The Village Voice, February 13. cover, 31-36.

The Indomitable Spirit, The International Center for Photography Midtown, New York, NY.

Hess, Elizabeth. "Queer in Normal," The Village Voice, February 13. pg. 97-99.

Hirsh, David, "Portrait of the Artist as an Angry Young Man," Courant, March 5. vol. 8, no. 16, pg. 1.

Honan, William H. "Multi-Media Artist Sues Political Action Group," The New York Times, May 22. pg. C14.

Karsh, Brian. "David Wojnarowicz:  The Next Mapplethorpe," Night and Day, May 7. pg. 28-31.

"Organization Mails Copies of 'Filthy' Art Images to Congress," New York Native, May 7. pg. 12.

Hirsh, David. "Courage and Censorship:  A Conversation with David Wojnarowicz," New York Native,

May 7. pg. 19.

Norman, Geraldine. "Shock Art puts US Funding at Risk," The Independent, London, May 21.

Hess, Elizabeth. "Artist Doesn't Turn Other Cheek," The Village Voice, May 22. pg. 33.

Lipson, Karin. "Artist Sues Conservative Group," Newsday, May 22. pg. 5.

Review, "David Wojnarowicz, Tongues of Flame", Contemporanea, May. p. 50.

Hirsh, David. "Turning Tables on the Art Censors: David Wojnarowicz Sues to Prevent Misrepresentation," New York Native, June 4. pg. 23, 45.

Hughes, Robert. "Whose Art Is It, Anyway?," TIME, June 4. pg. 46-48. 

Wise, Kelly. "Dazzling, provocative contemporary photographs," The Boston Globe, June 13.

Wicker, Tom. "A Chilling Prospect," The New York Times, Thursday, July 5. pg. A17.

Yarnall, Louise. "Gay Artist's Work Defies Critics," The Outlook, July 25. pg. A14.

Parachini, Allan. "Fighting Back-Art and Survival: The Trials of David Wojnarowicz," Los Angeles Times, July 28. Section F.

Knight, Christopher. "Wojnarowicz: Artist on a Collision Course," Los Angeles Times, review, July 30.

pg. F1.

The Print Collector's Newsletter, Museum and Dealer Catalogues, Vol. XXI, No. 3, July-August. pg. 114.

Meyer, Josh. "Drawing the Line," Los Angeles Times, August 2. pg. J1.

Leavitt, David. "Fears That Haunt a Scrubbed America," The New York Times, August 19. section 2.

Selcraig, Bruce. "Reverend Wildmon's War on the Arts," The New York Times Magazine, Sep 2. sect 6, pg. 22.

Jarrel, Joe. "God is in the Details, Wojnarowicz is in the Courts," cover, High Performance, #51, pg. 20-21.

Phillips, Christopher. "Wojnarowicz Bags Buck," Art in America, October. pg. 240.

Ghosh, Amitav. Bengaals vuur of De macht van de rede.

Pagel, David. Review at Dorothy Goldeen, Art Issues, October. pg. 29.

Norman, Geraldine. "Young US Artists Sell on Green Ticket," The Independent, November 19. London,

England.

Hess, Elizabeth. "Burning Down the House," The Village Voice, November 20. pg. 107.

Levin, Kim. "Choices," The Village Voice, November 20. pg. 117.

McCormick, Carlo. "Tongues of Flame," Paper Magazine, November. pg. 30-32.

Hill, Shawn. "Andy's Legacy," Bay Windows, November/December.

Donahue, John. "Flower Power," Outweek, December 5. pg. 52.

Kimmelman, Michael. "An Artist Who Seeks Every Opportunity to Unnerve," The New York Times,

December 7.

Jones, Bill. "American Artists of the 80's," Tema Celeste, December. pg. 84.

Lippard, Lucy. "Out of the Safety Zone," Art in America, December. pg. 130-186.

Carlin, John. "'80's Art Chart," Paper, December-January. pg. 62.

Gibbs, Michael. "Critical Realism," reproduction, Perspektief, No. 39, pg. 38 - 58, Rotterdam,

The Netherlands.

Kalin, Tom. "Prodigal Stories: AIDS and Family," Aperture 121, reproductions, pg. 22-29.

1989     Aletti. "Choices: David Wojnarowicz," The Village Voice, January 31. pg. 44.

Rankin-Reid, Jane. Review, Tema Celeste, International Art Review, No. 19, January/March.

Hess, Elizabeth. "Choices:  David Wojnarowicz," The Village Voice, February 28. pg. 42.

WITNESSES:  Against Our Vanishing, Catalogue for Artists Space, New York, NY.

Saltz, Jerry. "Not Going Gentle," Arts, February. pg. 14.

Bartelik, Marek. "Nowojorska kronika kulturalna," Przeglad Polski, March 9. pg. 6, 15.

Deitcher, David. "Ideas and Emotions," Artforum, May. pg. 122-27, cover.

Mahoney, Robert. Review, Arts, May. pg. 106-107.

Chua, Lawrence. "David Wojnarowicz," review, Flash Art, Summer. pg. 148.

Kaplan, Steven. "David Wojnarowicz," Review, ETC Montreal, Autumn 1989. pg. 81.

Marzulli, John. "Clash over AIDS Exhibit, Soho Gallery Fears Fed Backlash," Daily News, November 8. pg. 5.

Honan, William H. "New York Art Exhibition to Test Federal Restrictions," The New York Times, Nov 8.

Honan, William H. "Arts Endowment Withdraws Grant from AIDS Show," The New York Times, Nov 9. pg. 1.

Honan, William H. "The Endowment vs. the Arts:  Anger and Concern," The New York Times, Nov 10. pg. C33.

Atkins, Robert. "Black Thursday, Frohnmayer Fiddles, Artists Burn," The Village Voice, November. pg. 31.

Hess, Elizabeth. "Jesse Helm's Nightmare," The Village Voice, November 28. pg. 117.

Hess, Elizabeth. "Frohnmayer's Normal Waterloo," The Village Voice, December 12. pg. 69.

Felman, Jyl Lynn. "Art and the Rosenberg Era:  An Exhibit of Outrage," Genesis 2, Wint. 1988/89. p. 31-34.

"I Bienal De Pitura Cultural Rioja," Logkono Enero, (catalogue reproduction), Spain.

Woman's Wear Daily, "To Do & Not to Do: That is the Question," The Lively Arts.

Metzger, Robert. “Reagan: American Icon,” A Center Gallery Publication, Bucknell University, Repro. pg. 79.

1988     McComick, Carlo. "High Art:  David Wojnarowicz," High Times, January. pg. 54-55.

Rose, Matthew. "David Wojnarowicz:  An Interview," Arts, cover, May. pg. 60-65.

Bonetti, David. "When art is politic:  The Rosenberg Affair and other thorny issues," The Boston Phoenix, November 25-December 1.

Wojnarowicz, David. "Living Close to the Knives, A chapter from Self-Portrait in 23 rounds: psychic Walkabout," Journal of Contemporary Art, Fall/Winter. pg. 68-84.

1987     Martin, Walter. "David Wojnarowicz at Ground Zero," 108, January. pg. 4.

Bromber, Craig. "Gallery Guide:  Common Cause," Manhattan, Inc., June. pg. 164-5.

Art Against AIDS, American Foundation for AIDS Research, organized by Livet Reichard Company, Inc., NY.

Frank, Peter and McKenzie, Michael. New, Used & Improved: Art for the Eighties, Abbeville Press, NYC.

Wallis, Brian. Blasted Allegories: An Anthology of Writings by Contemporary Artists, The New Museum of Contemporary Art, New York, and MIT Press, Cambridge, MA.

Engler, Brigitte. "Post hype hope," Paper, September. pg. 53.

Smith, Paul. "David Wojnarowicz at Ground Zero," Art in America, September. pg. 182-83.

Brenson, Michael. "David Wojnarowicz," New York Times, October 2. pg. C27.

Levin, Kim. "Choices: David Wojnarowicz," The Village Voice, October 20. pg. 46.

Loughery, John. "David Wojnarowicz," Arts, December. pg. 104-5.

Mahoney, Robert. "David Wojnarowicz," Arts, December. pg. 108.

1986     Zimmer, William. "'Natural Disaster Show' offers Samples of Creative Upheaval," New York Times,

January 26.

"Art with Abandon," Louisville, Louisville, KY, January. pg. 13.

"Amerika:  East Side Story," Zeit Magazin, February. pg.  81-88.

Ackerman, Martin S. “Smart Money and Art: Investing in Fine Art,” Station Hill Press, NY.

Polakov, Alexander. "Design:House Party - Live to be 100 - Art Collecting as Life - and Maybe As Life Insurance," NY Talk, March. pg. 57.

Tully, Judd. "The East Village: Is the party over now?," New Art Examiner, March. pg. 20-23.

"Express verlost Kunst," Express, (Dutch), April 24. pg. 16.

Roberts, CatSou. "Reviews - David Wojnarowicz," 108 - East Village Review, June. pg. 8.

Rubin, D. "Reviews - the East Village at FIT," New Art Examiner, June.

Cooper, Rhonda. “Stony Brook People,” State University of New York at Stony Brook, July/August.

Lipson, Karin. "A Touch of the Bizarre at Stony Brook," Newsday, July 18.

Windrow, Pat. "Enough with the Avant Garde," Three Village Herald, July 18.

Sur Les Murs, L'Art Fun ou L'Enfance De L'Art, Ateliers en Liberts, Foundation Cartier pour L'Art Contemporain, Paris.

Tanaka, Seiichi. "The Avante-Gardes in New York," Japan.

Levi, Corrado. "Il Cangiante: Padiglione d'Arte Contemporanea Milano," Nuova Prearo Editor, Milano, Italy.

Weber, Bruce. "Walls: Glier, Rodriguez, Wojnarowicz," Norton Gallery of Art, West Palm Beach, FL.

Ultime, Luciano Pistoi. "Corrado Levi, Giulio Paolini," Castello Di Volpaia, Italy.

Sweger, Claes and Rubino, Billy. New York, New York, P.S. 1, Stockholm Mobile.

Products and Promotion, San Francisco Camerawork, CA.

Eight Urban Painters, State University of New York at Stony Brook.

Axelson-Kumlin, Ewa. "New York Special Edition," Geo, (German), August 13.

Harrison, Helen A. "Urban Anxieties Reflected in Paintings from East Village," The New York Times, August 17, pg. 22.

            "Anna Friebe prasentiert David Wojnarowicz," Kolner Stadt-Anzoiger, (Cologne), September 9.

"Walls: Glier, Rodriguez, Wojnarowicz," Norton Gallery of Art Calendar, September/ October. pg. 12-13, West Palm Beach, FL.

Tosi, Barbara. "La scorperta dell America," Flash Art, (Italian), December 85/January 86. pg. 56-57.

Mueller, Cookie. "Color detail, theme court attention at gallery," The Village Times, pg. L12.

Wojnarowicz, David. "Monologue," Redtape, No. 6.

McCormick, Carlo. "Entrevista A David Wojnarowicz," Figura, (Italian), No. 6.

1985     Coleman, Nicols. "Urban Textures, East Village Art at Jones Troyer Gallery," The Washington Post, Jan 31. p. B7.

Glueck, Grace. "East Village Gets on the Fast Track," New York Times, January 31. pg. 29

Furse, Jane. "The Next Picasso," Venture, January.

Brennan, Mark. "Gracie Mansion Will Continue to Revolutionize the Art World," Manhattan Arts, January 11 – February 9. pg.1.

Saltman, David. "East Village Sampler," The Washington Post, January 31.

McGill, D. "An Art Auction-Benefit with East Village Style," New York Times, February 26.

Richard, Paul. "Zap! Flash! The New York Look at the Whitney," The Washington Post, March 24. pg. C28.

The Print Collector's Newsletter, March - April.

Cor, Potter. The Missing Children Show, Creative Production House, Inc.

Schwartzman, Allan. Street Art, The Dial Press, Doubleday & Co., Inc., Garden City, New York.

Art Cologne, Catalog for the 19th International Art Fair.

A Brave New World - A New Generation, catalog Udstillingsbygning ved Charlottenborg, Denmark.

Larson, Kay. "The Bad-News Bearers," New York Magazine, April 8. pg. 72.

Cohrs, Timothy. "PS 122, I Remember When," East Village Eye, April. pg. 45.

Weisang, Myriam. "Trendy Artists from A to D," Bay Guardian, May 22-29. pg. 5.

Futner, Janet. "Whitney Museum has something old in something new," The Dallas Morning Star, May 23. pg. 1F.

Anson, Robert Sam. "The New Art:  Holly Knows Best, " Metropolitan Home, May. pg. 56.

"Art Scene: East Village," Pronto, (Japanese), May. pg. 55.

Brewster, Todd. "The Art Scene: Far Out's In," Life Magazine, May. pg. 46.

Cameron, Dan. "A Whitney Wonderland," Arts Magazine, Summer.

Marzorati, Gerald. "Picture Puzzles: Whitney Biennial," Artnews, Summer. pg. 74.

Heartney, Eleanor. "Whitney Biennial 1985," New Art Examiner, June.

Sozanski, Edward J. "A Small Sampling from Five Artists," The Philadelphia Inquirer, June. pg. 1-G.

Mossman, Tam. "The Roving Eye," Art Matters, July/August. pg. 4.

"Semantic Inflation," City Paper, June 21-July 5.

Annoittanta, Bologna, Rimini, Inola, Ravenna, Italy

Jefferson, Margo. "The Downtown State of Mind," Vogue, July. pg. 1.

Panicelli, Ida. "Dagli USA Con Colore," L'Espresso, (Italian), October 13. pg. 7.

Daniels, Demetria "Artists Unite for the Benefit of Fashion Moda," SOHO Arts Weekly, November 13.

Bourbon, David. "Sitting Pretty," Vogue, November. pg. 108, 116.

Steverino. "The Missing Children Show," Feed, Louisville, KY, November.

Wong, Stella. "East Village Art," Art and Auction, November. pg. 112-121.

Whitney Biennial, Whitney Museum of American Art, New York.

Gideon, Gil. "New York Artists use their work in the battle against child abuse," The Times, Louisville, KY, December 6.

Bleiberg, Larry. "Drawing Attention:  Graffiti Artists to Create Charity Exhibit Here," Louisville Times,

December.

Rankin-Reid, Jane. "East Village Art," Xpress, (Australian), December 1985-January 1986. cover, pg. 8-9.

Wojnarowicz, David. "Dream Images," Dreamworks, Vol. 4, No. 3, pg. 163-5.

1984     Goldstein, Richard. "Heroes and Villains in the Arts," Village Voice, January 3.

Kaplan, Steven. “Totem,” Charles Cowles Gallery, Bonnier Gallery and Germans van Eck.

Lieberman, William S. and Bogle, George S. “New Narrative Painting,” Metropolitan Museum of Art.

East Village, catalogue to accompany exhibition, Anna Friebe Galeris, West Germany.

Lubowsky, Susan. “Modern Masks,” Whitney Museum of American Art at Philip Morris. New York, 1984.

Graff, Vera. "Lower East Side," Du, (German), January.

Lind, Ingela. "Den Nyaste New York - Konsten:  Valdoch Socker," Skona Hem, January. pg. 22-23.

Igramham, Fatima. "New York Pier 34," Spex Musik Sur Zeit, January. pg. 38.

Flacher, Jurgen. "Avantgarde hinter alten Mauren:  Der New Yorker Wilde," Stern, January.

Fisher, Jean. "David Wojnarowicz," Artforum, February.

McCormick, Carlo. "Art Takes II," New York Beat, February.

Cameron, Dan. "Art in the Future," East Village Eye, March. pg. 29.

Carr, C. "The Hot Bottom:  Art and Artifice in the East Village," Village Voice, April 3. pg. 38-40.

Kuspit, Donald. "Climbing," Artforum, April. pg. 81-82.

Texier, Catherine. "Soho Out, East Village In:  Explosion Creatrice a Li East Village," ICI New York, April. pg. 9-11.

McCormick, Carlo. "Art Takes:  Loisaida in Joosierland," New York Beat, May 23. pg. 19.

Adams, Brooks. "David Wojnarowicz," Art in America, May. pg. 166.

"East Village," Art Das Kunstmagazin, May. pg. 95.

Robinson, Walter and Carlo McCormick. "Slouching Toward Avenue D," Art in America, Summer. pg. 134-161.

Moufarrege, Nicolas A. "The Year After," Flash Art, Summer. pg. 51.

"Galerie Barbara Farber, American Art Pioneer in Amsterdam," Neue Kunst in Europa, Jun, Jul, Aug. p. 361.

McCormick, Carlo. "David Wojnarowicz:  A Man of Many Talents," East Village Eye, July. pg. 18-19.

Burkhart, Dorothy. "Art Blooms on Apple's Mean Streets," San Jose Mercury News, August 19.

Bankowsky, Jack. "Graffiti Grows Up:  East Village Galleries," New York Magazine, September 10.

Cotter, Holland. "David Wojnarowicz," Arts, September. pg. 45.

Muritti, Elisabetta. "Fate largo, ci diamo auche noi," Il Gionale, September.

Angelis, Margareta. "New York New," Viva Milas, September.

Virshup, Amy. "The Night Stuff," New York Magazine, November 9. pg. 26.

Brenson, Michael. New York Times, November 9.

Pincus, Robert L. "Graffiti Work of NY Moves West," Los Angeles Times, November 10. Part V, pg. 2.

Tatum, Shirley. "The Big Apple Bites Back," Daily Nexus, November 15.

Crowder, Joan. "Neo York:  A Mythology for Our Time," News-press, Santa Barbara, CA, November 17.

Smith, Paul. "Election Issues:  A Timely Artistic Response," Arts, November. pg. 126.

Knight, Christopher. "East Village Art:  Junk Makes a Stunning Exhibit," Los Angeles Herald Examiner, December 2. pg. E11.

McDonald, Robert. "The East Coast Comes West," Artweek, December 8.

Ames, Richard. "Review," Santa Barbara News Press, December 8. pg. B33.

Vogue (French), December.

L'Uomo Vogue, (Italian), December.

Honnef, Klaus. "New Yorker Fubnoten," Kunstforum International, pg. 196-198.

"EXPOS," Ici New York, pg. 30.

"New Yorks grotes Kunst-Happening dauerte Monate, Jetzt soll's an anderen Ort weitergehen," Notizen.

1983     Moufarrege, Nicolas A. "The Famous Show," Flash Art, January.

Moufarrege, Nicolas A. "X Equals Zero as in Tic Tac Toe," Arts, February. pg. 120.

Moufarrege, Nicolas A. "East Village," Flash Art, March. pg. 40-41.

Cockroft, Eva and Miriam Brofsky. "The Politics of Street Painting," Community Murals Magazine, Spring, pg. 34-35.

Goldstein, Richard. "Art Beat," Village Voice, June 21. pg. 41.

Glueck, Grace. "A Gallery Scene that Pioneers in New Territories," The New York Times, June 26.

Hershkovitz, David. "Art in Alphabet Land," Artnews, September. pg. 90-91.

Anderson, Alexandra. "Grass Roots on the Lower East Side," Portfolio, September/October. pg 8-9.

Glueck, Grace. "Sofa/Painting," New York Times, October 7.

Levin Kim. "Power:  The East Village," Village Voice, October 18. pg. 78-79.

Falcon, Sylvia. "Twenty Artists," East Village Eye, October. pg. 17.

Zelevansky, Lynn. "David Wojnarowicz," Artnews, October. pg. 188.

Pincus-Witten, Robert. "Entries:  Myth in Formation," Arts, November.

Glaser, David. "Neo-Pop Strategy," Arts, November. pg. 126-127.

McCormick, Carlo. "Growing Pains in the Lower East Side Art Boom,” New York Beat, November. pg. 19.

Levin, Kim. "David Wojnarowicz," Village Voice, December 20.

Howell, John. "David Wojnarowicz," New York Beat, December.

"East Village:  Een Amerikaanse Manier van Leven," Kunstbeeld, December. pg. 22-23.

1982     Moufarrege, Nicolas A. "The State of New York Art," Gentlemen's Quarterly, December. pg. 56.

BOOKS AND CATALOGS

2018     Breslin, David and David Kiehl. “History Keeps Me Awake at Night.” New York, NY: Whitney Museum of American Art, 2018.

Darms, Lisa, et al. The Weight of the Earth: The Tape Journals of David Wojnarowicz. New York, NY: Semiotext/Native Agent, 2018

Wojnarowicz, David. Flesh of My Flesh. Edited by Dr. Daniel S. Berger. Chicago, IL: Iceberg Projects, 2018.

Cothre, Michael W. and Marilyn Stokstad. Art History. Edited by Sarah Touborg. 6^th ed. Upper Saddle River, NY: Pearson Education, Inc., 2018. Pg. 1139. Illus.: Untitled (Hands) (1992).

2017     Phillips, Lisa, ed., “40 Years New,” New York, NY: New Museum and Phaidon Press, 2017.

2016     205 Hudson Gallery and Hunter College, “Pier 34: Something Possible Everywhere.” New York, NY: Hunter College Art Galleries, 2016.

2015     Lippard, Lucy R. “Brush Fires in the Social Landscape: Photographs by David Wojnarowicz.” New York, NY: Apeture Foundation, 2015.

2012     Carr, Cynthia. The Life and Times of David Wojnarowicz: Fire in the Belly. London, UK: Bloomsbury Publishing, 2012.

Kramps, Toby. “Silence.” Catalogue. Houston, TX: The Menil Collection, 2012.

Chaffee, Cathleen. Eye on a Century: Modern and Contemporary Art from the Charles B. Benson Collection at the Yale University Art Gallery. New Haven, CT: Yale University Press, 2012.

2007     Finch, Richard D. and Veda M. Rives, eds. Marks from the Matrix: Normal Editions Workshop. Normal, IL: Normal Editions Workshop Press, 2012.

2006     Ambrosino, Giancarlo, ed. David Wojnarowicz: A Definitive History of Five or Six Years on the Lower East Side. New York, NY: Semiotext(e), 2006.

2004     Lewis, Jim. David Wojnarowicz: Rimbaud in New York 1978-79. Edited by Andrew Roth. New York, NY: Roth Horowitz Publishing LLC, 2004.

Wojnorwicz, David. Memoires d’une desagregation. Montrouge, FR: Le Serpent a Plumes, 2004.

1999     Scholder, Amy. In the Shadow of the American Dream: The Diaries of David Wojnarowicz. New York, NY: Grove Press, 1999.

Cameron, Dan. Fever: The Art of David Wojnarowicz. New York, NY: Rizzoli Publishing, 1999.

1996     Wojnarowicz, David. The Waterfront Journals. New York, NT: Grove Press. 1996.

Romberger, James and David Wojnarowicz. “Seven Miles a Second.” DC Comics, 1996.

1992     Wojnarowicz, David. Memories that Smell Like Gasoline. New York, NY: Artspace Books. 1992.

1991     Wojnarowicz, David. “Text from: I feel a Vague Nausea,” Edited by Dorothy Cross. New Observations No. 80. 1991.

Wojnarowicz, David. Close to the Knives: A Memoir of Disintegrations. New York, NY: Vintage Books, 1991.

1990     Blinderman, Barry and Curtis White, eds., David Wojnarowicz: Tongues of Flame. Normal, IL: University Galleries of Illinois State University, 1990.

1986     Wojnarowicz, David. “Monologue.” Redtape No. 6, 1986.

Anna Friebe Gallerie. “David Wojnarowicz.” Catalogue. Cologne, GE: Anna Friebe Gallerie, 1986.

1985     Institute of Contemporary Art, University of Pennsylvania. “Investigations 15: David Wojnarowicz: Paintings and Sculptures.” Philadelphia, PA: Institute of Contemporary Art, University of Pennsylvania, 1985.

1984     Anna Fiebe Gallerie, “East Village.” Catalogue. Cologne, GE: Anna Fiebe Gallerie, 1984.

1982     Wojnarowicz, David. Sounds in the Distance. London, UK: Aloes Books, December 1982.

PERMANENT COLLECTIONS

Addison Gallery of American Art, Andover, Massachusetts

The Art Institute of Chicago, Chicago, Illinois

The Broad Art Foundation, Los Angeles, California

Brooklyn Museum, Brooklyn, New York

Centro Cultural Universitario de Mexico, Mexico

Chazen Museum of Art, Madison, Wisconsin

Columbus Museum of Art, Columbus Ohio

Dallas Museum of Art, Dallas Texas

The Ford Foundation, New York, New York

FRAC Bretagne, France

GCAC, Spain

The Hallmark Collection, Kansas City, Missouri

Hammer Museum of Art, Los Angeles, California

Harvard University Museums, Cambridge Massachusetts

Henry Art Gallery, Seattle, Washington

Institute of Contemporary Art, Boston, Massachusetts

Library of Congress, Washington, D.C.

The Metropolitan Museum of Art, New York

Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain

Museum Ludwig, Cologne, Germany

The Museum of Modern Art, New York

National Gallery of Art, Washington, D.C

National Gallery of Australia, Canberra, Australia

Neuberger Museum, Purchase, New York

The New School, New York, New York

New York Public Library, New York

Philadelphia Museum of Art, Philadelphia, Pennsylvania

Princeton University Museum, Princeton, New Jersey

RISD Museum, Providence, Rhode Island

San Francisco Museum of Modern Art, San Francisco California

Smith College Museum of Art, Northampton, Massachusetts

Stedelijk Museum, Amsterdam, Netherlands

St. Louis Art Museum, St. Louis, Missouri

Tate Gallery, London

Tel Aviv Museum of Art, Tel Aviv, Israel

Tokyo Museum of Photography, Tokyo, Japan

Toledo Museum of Art, Toledo, Ohio
Virginia Museum of Fine Arts, Richmond, Virginia

The Whitney Museum of American Art, New York
Wriston Art Center Galleries, Lawrence University, Appleton, Wisconsin

Yale University Art Gallery, New Haven, Connecticut